Category Archives: Fiction

The Men in the City

The men in the city
Made a deal with the women in the city
The men would work every Tuesday and Thursday
The women would work every Monday and Wednesday
They’d alternate Fridays
The deal fell apart, though, by week three
That’s when they realized the old way was better

(I’ve posted this for the fun of it. It’s the result of a warm-up exercise during Creative Writing Essentials at StoryStudio Chicago. The exercise was to select one of three titles (picked randomly from an anthology of poetry) and write a unique story of exactly 50 words. I excluded “Long May” and “In the Dark I Enter,” and chose “Men in the City.”)

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Retro Rocket – My Short Story Submission to the WPL 2015 Ray Bradbury Creative Contest

Space Fantasy Stamps

Against the black infinity of space, a rocket-ship floated like a blimp above a long and gradual curve of the Red Planet. The ship’s bulging hull, like a mirror, gathered what could be seen–the field of stars, the distant sun, the rust colored horizon–and reflected it all back.

Inside the rocket’s nose-cone, two figures in bulky spacesuits sat side by side, their white helmets facing the fore of the ship, their dark visors reflecting indicator lamps, and their thick-gloved fingers floating before an array of knobs and switches.

The silver ship slowed, nosed up, then began its descent to Mars. The rocket descended vertically, a reverse of its liftoff from Earth. Fire-columns thundered from nozzles at the ship’s bottom. The blaze of orange and yellow pushed against the Martian ground, stirring red sand into a billowing cloud through which the ship set down on the planet.

The engines quieted, and silence filled the ship. As the astronauts awaited their signal a speaker crackled with a voice, “This is Mission Control calling Vegas Station. Sandship One has landed.”

Beyond the upright rocket’s porthole the night sky glimmered with pinpoints of bright white, but one shone a brilliant blue. The captain didn’t notice, but Lieutenant Ellison did. He used a scope to magnify the object, and discovered that the brilliance came not from a star but from a faraway planet with oceans of blue brightened by a more distant sun. Ellison gazed in awe of Earth.

On Earth a small town slept as streetlamps shined orange onto tree-lined lanes. In the dark, dewy lawns lay in squares formed by sidewalks, and the walks leading to concrete stoops. Above each stoop, a single porch-light lit the front door of a brick home.

Atop a shingled roof towered an aluminum antenna. It gathered radio waves and routed them down to a cool basement, dim and unfinished. There an aging man in a thick sweater sat at a wooden table before a shortwave radio. From the metal console a cable curled up to a pair of large headphones cupped over his ears. Through the headset a voice crackled, “Mission Control to Vegas Station. We’ve delivered your astronauts. Captain Borges, you and the lieutenant get some sleep. At dawn we’ll commence the Mars walk.”

This transmission stirred the old man from his daydream, in which he saw the landing like those in the sci-fi movies of the nineteen thirties. Hearing the radio transmission assured him that now, men really would walk on Mars. He’d been waiting for it since he was a boy and wanted to be part of it. So he clicked a radio button and pulled forward a tall, chrome microphone and spoke, “This is Waukegan-One calling Sandship One.” Then he listened through the hiss and hum and squeal for a response, but the voice that came next came from behind him.

“Dad?” His middle-aged son in jeans and a t-shirt called from the bottom of the stairs. “Dad!”

The old man pulled off the headphones and swiveled around, his face feeling warm as he realized his son might have heard him. “You startled me. You’re back from the library already?”

“I’ve been back for a while. What are you doing?” The son rubbed his own arms. “It’s cold down here.”

The old man’s embarrassment went away. “Using this radio is my nighttime routine. Do you know it works as good now as when I built it fifty years ago?” The old man’s blue eyes became blank for a moment, then the spark returned. “How was the presentation?”

“It was fantastic! The author discussed his book about the Mars mission. Tomorrow he’s touring the control room in Nevada. It’s from there that Borges and Ellison operate the mechanical astronauts.”

Though the newspaper reported for months that the mission would be unmanned, the father rejected the idea. “Mechanical astronauts?” That’s no way to explore Mars! Man himself must take the ride, step off the ladder, feel his boot sink into the red dust. When life on Mars is discovered, Man must be there to look it in the eye!”

The son smiled, familiar with his father’s retro temperament. “Like in that vintage sci-fi poster over your desk?” The son continued, trying to be kind. “Dad, you know rockets don’t land backwards. And ladders don’t slide down from under their fins.” Then he shook his head, “And as for looking a Martian in the eye…there’s no life there. The probes and rovers confirmed that.”

The old man mocked, “The probes and rovers confirmed that.” Then he protested, “Technology has ruined it! The remote missions, the imaging, the Internet and its interactive globe of Mars. All this destroys our imagination, destroys the possibilities, destroys the wonder!”

The son appreciated his father’s sentimentality. “Dad, come upstairs. We can watch the mission together. This one is different. The mechanical astronauts let us see through their eyes.”

“Nah.” The old man dismissed the offer. “I won’t watch. But I’ll be up in a few minutes. First I need to write some notes about what the radio picked up tonight.”

The son’s steps on the wooden stairs echoed off the basement walls, and the old man turned to the console. He put the headphones on, reached for the dial, pulled forward the chrome microphone and whispered, “Sandship One, this is Waukegan Station. Confirm Martian sunrise.” Then he continued a little louder, “Captain Borges. Lieutenant Ellison. Time to commence the Mars walk!”

The old man’s mind resumed the movie. He imagined his message being converted into radio waves, sent up through the antenna into the still night sky, up into space where a planet shined red. On that world, rising above its rust colored horizon, the white sun silhouetted the standing rocket-ship. From it, a ladder slid down. Then an astronaut in a bulky spacesuit descended, and stepped back from the last rung onto the Martian powder. The figure turned from the ship and began to walk. It paused, knelt down, pulled off its glove, and plunged its hand into the soil. The astronaut brought up its cupped palm and let the red sand sift through its fingers.

“Dad!” The son called down from the living room. “It’s started. Ellison’s astronaut has stepped out of the lander.”

But the movie continued in the old man’s mind. The astronaut stood and removed his helmet, then his mouth shaped into a scream and his eyes grew wide, as he came face to face with a Martian.

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You Can’t Get There from Here (Installment #2)

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I checked my watch and saw it was almost seven o’clock, so I asked the old man, “Is Nico Park still around here?”

“Around here?” the man asked back. Then he straightened up and said, “You can’t get there from here.”

This surprised me. I expected a yes or a no, especially from someone in the neighborhood. And, until I told the man my stories, I didn’t realize how much I wanted to get to the park. I thought maybe I confused him, so with respect I asked, “Did they get rid of the park? Build over it?”

He smiled again, and his gray-blue eyes showed me he was enjoying our interaction. “They didn’t get rid of it. You’re off by one. This is Cleveland Street. You want Keeney.” He pointed behind him. “Turn right onto New England. You’ll see the park at the next stop.”

“Thank you, sir.” I turned to my car, but then turned back to the man. I said, “Just one more question.”

The man nodded.

“At first you answered that I can’t get there from here. What did you mean?”

The man stepped toward me, and patted my arm just below the shoulder. “Young man, since you described the park by telling me of your evenings as a teenager, I know that it’s not just the park you want to get to. You want that feeling back.”

He said more than I expected. And while I thought about it, he pointed to the crossed street signs, thin and green atop the post.

“From this corner of course you can get to the park.” Then he pointed to my wrist–to my watch–and emphasized, “But from here, from right now, you can’t get to what you described.”

I did want the feeling back. He was right. And visiting the park wouldn’t do it.

“Still,” I told him, “seeing the park could help.”

“I understand,” he said, nodding. Then he asked, “Is it only the park that brought you back this evening?”

“No. I’m headed to Skaja’s Funeral Home.” And then I looked down, toward a crack in the sidewalk. “One of the guys from back then passed away.”

The old man’s eyes became serious, and he moved his head from side to side. “Too soon. Sorry to hear that.”

“We weren’t close,” I explained, “but I want to see him this last time. He worked around here for one of the big companies. Worked there twenty-five years. A friend of his from work said one day he just stopped showing up. HR called him and left messages, but he never called back. His friend drove to his place one lunchtime. Went to his apartment and found him.

The old man stopped me. “You said he worked for one of the big companies around here. Was it TechCorp?”

“Yes,” I answered, “TechCorp.”

The man removed his glasses, pulled out a handkerchief that was clean and white, wiped one lens and put the glasses back on. He seemed much more alert, and red colored his cheeks. “In the eighties I was TechCorp’s vice president of data processing. About the time you were playing ball at the park.”

This answer of the man’s also surprised me. I had not thought at all about his past.

“Are you retired now?” I asked him.

“I am. But I still try to keep up with how technology is evolving. I’ve a tablet that my kids bought me. I’m familiar with it enough to get to articles I need to read.”

“So do you live on one of these streets?”

“I used to. But the downturn that started in 2009 was pretty tough on me and my family.”

“So where are you at now? Do you need me to give you a lift?”

“When I get up to Waukegan Road I just need to head north a block. I live at the retirement home you used to work at.”

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You Can’t Get There from Here

Nico Park

This is the first half of a short story. I got the inspiration during an outdoor writing workshop with the Kenosha Writers’ Guild. We were given some prompts to use if we wanted. The prompt that interested me was, “You can’t get there from here.”  This is just the first half, so I apologize in advance for stopping in the middle. I’ll post the conclusion once I write it.

That evening the sun was far from setting, as on any June evening. Its glare came through the passenger-side windows of my car. It’s heat did too, even though the windows were up and the dashboard vents directed cool air.

The rush-hour traffic wasn’t bad, so I got into town earlier than I expected. The wake wouldn’t start until seven o’clock. So before I reached Oakton Street I slowed the car, waited for a break in traffic, then turned left off of Waukegan onto one of the side streets. The previous time I drove down that block–was thirty years ago.

The trees were a lot taller, but the homes which lined both sides of the street looked the same as they looked back then. Brick, one-story, with low, shingled roofs. Each with a front lawn, green and square, divided by a straight concrete walk. Each with three, wide, concrete steps up to the front-door. To one side a large front-room window. And to the other side a smaller, bedroom window.

I drove slowly along the quiet street. A few cars were parked on each side, and I weaved through to the end of the block. A little before the stop sign I pulled over, stopped, and turned off the car–to remember.

At the end of one of these streets there used to be a park. That’s why I turned. To see the park again. I was about to start the car to drive to the next block over, when I saw an old man walking on the sidewalk. He had just come around the corner ahead.

I lowered the passenger side window and called to him. “Excuse me sir. Is Nico Park nearby?”

He stopped, and stooped a little so he could see me.

I said, “I’ll come out.” And I got out of my car and walked up a lower driveway to the sidewalk.

I explained to him, “In the eighties I used to work near here at Waukegan and Caldwell. At the nursing home. In the kitchen. In the summer a group of us who worked there–we were all in high school or starting college–after our shift we’d drive to the park for its baseball diamond. We played sixteen-inch softball there. For fun.”

The old man cocked his head a little and looked into my eyes as if he did not understand.

I went on. “There were usually about eight of us. Enough for each team to have a pitcher, third baseman, shortstop, and outfielder. Kosta–he could hit the ball way out into left field, over the tall chain-link fence and into the tennis court. And Shimmo–he was a lefty. Whenever he came up to bat, the outfielder had to run all the way over to right-field, before the pitch. Shimmo could hit the ball beyond right-field and into the backyards. Sometime a neighbor would yell at us.”

The man listened.

“We liked when the girls played, but most of time Kathie and Debbie sat on the bleachers, and talked to each other and giggled.”

The man’s lips and eyes turned into a gentle smile.

“We’d play until it was too dark to see. Then we’d walk to our cars. The ones our parents let us drive to our part-time jobs. We’d lean on our cars and talk. No matter what we’d been doing–playing ball at the park, or having ice-cream at Dairy Queen, or dropping our quarters at the arcade of Par-King–those evenings in June we had nothing to do but to stay up and stay out. We’d lean on our cars and talk.

We talked about the girls we liked at work. Talked about the movies and music videos we’d seen. We talked about going to college, turning twenty-one, and how great it would be going to bars. We talked about what our real jobs might be.

The man’s smile started to go away.

It was almost seven o’clock, so I asked the old man, “Can you tell me how to get there? To get to Nico Park?”

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Freedom Stream

Freedom Stream Color

In the year 2100 the Social Health Office sent a technician wearing gray scrubs to the one room apartment of twenty year-old Diego, and fitted him with a tiny receiver. By the end of the fifteen minute visit, as the technician gently sewed a single stitch into the back of Diego’s head, the Freedom Stream hit a milestone: Every resident of the city connected.

In his room with no desk or bookshelves, Diego smiled and called out, “Yes!” No more looking at the wall-screen or holding a blue-glowing device. Now, right into his mind streamed the popular songs, videos, movies, and shows.

Outside Diego’s apartment, traffic lights showed black. Since the second economic collapse fifty years prior, no traffic moved on the streets. Diego and most other citizens didn’t work. The city provided each resident with food, and a person rarely went out. The Freedom Stream deadened everyone’s curiosity about the real outside.

But the technology had glitches. And the next morning when Diego woke up he did not experience the relaxing wave sounds of the Stream. Instead he heard nothing. Silence, unfamiliar and unsettling, panicked him. So he immediately acted to restore the connection. Diego moved closer to the source which he knew to be atop the nearby, hundred-story, redbrick smokestack.

He left his unit and walked across the road, picked his way down the neighboring ravine’s brush and trees, and stepped over the abandoned rails to the lakefront. There Diego discovered a moored pontoon which buoyed a rust-colored steel container once used to transport goods. Its opened doors revealed attached shelves holding thousands of well-preserved books.

An unkempt, seventy year-old man appeared on the boat and looked at Diego, at his brown eyes of curiosity. The old man could tell that Diego’s connection to the Stream had been interrupted, that for only a few minutes the young man would be able to listen.

“Hello! My name is Amit. These books contain the unique thoughts of individual men and women. Each book is different. Each is a snapshot of the person’s thoughts at the time they wrote it. Unlike receiving the barrage of the Stream, reading a book is hearing a person’s thoughts in a way you control. Reading allows you to pause, to think about what you take in, to be aware of your reaction. The binding, paper, and ink let you feel the book, truly hold it.”

Diego stepped back from the stranger and thought of an excuse to get away. “Sir, I cannot read. They closed all the schools and libraries before I was born.”

Amit heard this from others. “I will teach you to read. And as important, I will teach you to write.”

“But today there’s nothing to write with. Nothing to write on.”

“I wrap twigs in foil and put them in fire to create pencils. I write onto scraps of paper. Seeing my thoughts in words amazes me. To have my own thoughts, to choose which ones I share, and to choose the words–that is human. The Stream takes that away.”

The Stream now crackled in Diego’s mind, the reconnection was starting. He felt unsure about the man and his offer. But he wanted to know more. Diego reached to the back of his head–for the stitch.

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Freedom Stream – A Very Short Story by Jim Janus

Selected as Winner of Waukegan Public Library’s 30th Annual Ray Bradbury Creative Contest (written-adult category)

Contest theme, from the WPL website

“Waukegan-native Ray Bradbury and author of Fahrenheit 451 understood the importance of reading, writing, and education to a successful society, saying “You don’t have to burn books to destroy a culture. Just get people to stop reading them.” Bradbury saw the slow destruction of books and the written word and was fearful. In Waukegan, not only do we see the rising popularity of eBooks, acronyms, and textspeak today, we live and work with those who do not even have the foundation of basic reading and writing skills in English or in Spanish. As the written word continues to disappear, the future of libraries, literacy, and free access to knowledge is uncertain. In your contest submission, please consider a future without the  written word. What would society look like? What would happen if your freedom to read and learn disappeared? How do you feel about banning books?”

Freedom Stream <— Click here to read the story

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The Village by the Sea

Sventoji

Saturday morning in the village, the visitors appear from wooden cottages and sit at tables on porches or in yards to nibble on cold meats and last night’s bread, sip hot tea, and choose from soft pastries the wives just bought at the nearby stands.

The voices are quieter and deeper as they retell what made them laugh not too many hours before, when each sat on moveable stumps–tree trunks recently cut and arranged around the fire–and ate and drank and sang.

After breakfast the visitors go inside, to put on bathing suits and fill their backpacks.  They come out again and walk in groups along the main street that leads them to the pines, and the narrow path that winds through them.

The scent of the green needles above and dry needles below confirms that the sea is very close.  Conversation becomes excited as the visitors reach the boardwalk which takes them to the top of the dunes and the open, far-reaching sky.  And then down to the sea, and to the wide, flat beach, bright in the sun, but cool and smooth on the sole, the rising waves coming at an angle, from the southwest, from Stockholm.

I don’t go anymore to the sea, like I did when I was a boy.  Now a man I spend mid-days in the village, sitting with my back to it.  But in late afternoon when many visitors are napping, the sound of the waves makes it here, and cool air touches my neck.

I sometimes sit across from the weathered garage where I used to work, and I peer over at the worn cars.  Visitors drove them here, three hundred kilometers from Vilnius and Kaunas, and they need repairs before the return trip can be possible.  Years ago, few of the villagers had the skill to replace a belt, or a radiator, or a wheel.  Now, men from other countries move here.  They work on the cars for less.

The owner kept me.  Each morning I would go there and sit.  I would watch the others arrive and begin on the cars.  They acted kind to me, let me deliver this or that.  They didn’t tell me to go.  I left without saying.  Stood from the bench and walked away.  Past their backs, their heads disappeared between open hoods and lifeless engines.

Each day I stop by the churchyard.  The nun there washes my clothes along with the rags she uses for cleaning.  I like to clip the grass around the wooden carvings of the saints.  Sometimes there a visitor will give me a coin.  Most days I accept enough to buy bread, or a piece of fresh meat, or a piece of smoked fish from a cart.

Yesterday while walking along the road in the direction of the bus station, a woman asked me if I had enough to eat, if I needed newer clothes.  She said I reminded her of her grandfather, my blue eyes and light hair.  She gave me these coins saying I might want to go to the city.

Tomorrow I will use them–to sleep one night here, in the smallest cottage by the sea.

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