Lichtenstein’s Starbursts

Illustration

Rewrite of a non-fiction piece I wrote for the 2012 fall edition of Left of the Lake magazine

Roy Lichtenstein is known for using primary and secondary colors to paint organized dots which turn familiar objects into pop art.

Lichtenstein. He’s only dots. Filled circles of uniform size and repetition. That’s what I thought before I visited Chicago’s Art Institute and viewed Haystack 1969. Lichtenstein’s impression of Monet’s impression of a haystack.

As I approached the painting I recognized Monet’s image. But Lichtenstein’s work is not a copy. It’s another masterpiece.

I looked up-close and the haystack vanished. Genius appeared. A yellow background behind red circles evenly spaced and sized. And repeating white shapes that are not dots, but six-pointed starbursts.

Something other than dots? In a Lichtenstein?

Further in the exhibit I discovered a sketch titled Haystack and Haystacks (Studies). It’s Lichtenstein’s 1968 plan for the 1969 painting. I saw the plan! A pencil drawing and margin notes regarding arrangement of dots and colors. It revealed that each starburst is background showing through the center of overlapping dots. Maybe you knew, but I needed the notes.

After my visit I went home to experiment with this technique. I used a laptop to arrange solid circles into a ring, leaving room in the center for a starburst to appear. I then copied the dot cluster and pasted it several times, creating a pattern of foreground starbursts against what became a background of overlapping solid circles. (See the image at the top of this blog entry.)

Placing dots in a circle is easy. But how to configure the dots to create a desired shape? And how to construct the pattern? There are many possibilities. As I thought through the arrangement problems, I wondered if Lichtenstein had similar thoughts.

Studying Haystack 1969 and its plan reveals Lichtenstein’s genius. It’s work to turn an idea into a masterpiece. Even for an accomplished artist.

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Babcox Justice Center – A Story by Jim Janus

Fusion June 11 2015

This past June 11, Jim performed at Kenosha Fusion’s “Stories for a Summer’s Night.”

He told his story, “Babcox Justice Center.

You can watch the 13 minute performance by clicking this link, or the photo above.

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Retro Rocket

by Jim Janus

Against the black infinity of space, a rocket-ship floated like a blimp above a long and gradual curve of the Red Planet. The ship’s bulging hull, like a mirror, gathered what could be seen–the field of stars, the distant sun, the rust colored horizon–and reflected it all back.

Inside the rocket’s nose-cone, two figures in bulky spacesuits sat side by side, their white helmets facing the fore of the ship, their dark visors reflecting indicator lamps, and their thick-gloved fingers floating before an array of knobs and switches.

The silver ship slowed, nosed up, then began its descent to Mars. The rocket descended vertically, a reverse of its liftoff from Earth. Fire-columns thundered from nozzles at the ship’s bottom. The blaze of orange and yellow pushed against the Martian ground, stirring red sand into a billowing cloud through which the ship set down on the planet.

The engines quieted, and silence filled the ship. As the astronauts awaited their signal a speaker crackled with a voice, “This is Mission Control calling Vegas Station. Sandship One has landed.”

Beyond the upright rocket’s porthole the night sky glimmered with pinpoints of bright white, but one shone a brilliant blue. The captain didn’t notice, but Lieutenant Ellison did. He used a scope to magnify the object, and discovered that the brilliance came not from a star but from a faraway planet with oceans of blue brightened by a more distant sun. Ellison gazed in awe of Earth.

On Earth a small town slept as streetlamps shined orange onto tree-lined lanes. In the dark, dewy lawns lay in squares formed by sidewalks, and the walks leading to concrete stoops. Above each stoop, a single porch-light lit the front door of a brick home.

Atop a shingled roof towered an aluminum antenna. It gathered radio waves and routed them down to a cool basement, dim and unfinished. There an aging man in a thick sweater sat at a wooden table before a shortwave radio. From the metal console a cable curled up to a pair of large headphones cupped over his ears. Through the headset a voice crackled, “Mission Control to Vegas Station. We’ve delivered your astronauts. Captain Borges, you and the lieutenant get some sleep. At dawn we’ll commence the Mars walk.”

This transmission stirred the old man from his daydream, in which he saw the landing like those in the sci-fi movies of the nineteen thirties. Hearing the radio transmission assured him that now, men really would walk on Mars. He’d been waiting for it since he was a boy and wanted to be part of it. So he clicked a radio button and pulled forward a tall, chrome microphone and spoke, “This is Waukegan-One calling Sandship One.” Then he listened through the hiss and hum and squeal for a response, but the voice that came next came from behind him.

“Dad?” His middle-aged son in jeans and a t-shirt called from the bottom of the stairs. “Dad!”

The old man pulled off the headphones and swiveled around, his face feeling warm as he realized his son might have heard him. “You startled me. You’re back from the library already?”

“I’ve been back for a while. What are you doing?” The son rubbed his own arms. “It’s cold down here.”

The old man’s embarrassment went away. “Using this radio is my nighttime routine. Do you know it works as good now as when I built it fifty years ago?” The old man’s blue eyes became blank for a moment, then the spark returned. “How was the presentation?”

“It was fantastic! The author discussed his book about the Mars mission. Tomorrow he’s touring the control room in Nevada. It’s from there that Borges and Ellison operate the mechanical astronauts.”

Though the newspaper reported for months that the mission would be unmanned, the father rejected the idea. “Mechanical astronauts?” That’s no way to explore Mars! Man himself must take the ride, step off the ladder, feel his boot sink into the red dust. When life on Mars is discovered, Man must be there to look it in the eye!”

The son smiled, familiar with his father’s retro temperament. “Like in that vintage sci-fi poster over your desk?” The son continued, trying to be kind. “Dad, you know rockets don’t land backwards. And ladders don’t slide down from under their fins.” Then he shook his head, “And as for looking a Martian in the eye…there’s no life there. The probes and rovers confirmed that.”

The old man mocked, “The probes and rovers confirmed that.” Then he protested, “Technology has ruined it! The remote missions, the imaging, the Internet and its interactive globe of Mars. All this destroys our imagination, destroys the possibilities, destroys the wonder!”

The son appreciated his father’s sentimentality. “Dad, come upstairs. We can watch the mission together. This one is different. The mechanical astronauts let us see through their eyes.”

“Nah.” The old man dismissed the offer. “I won’t watch. But I’ll be up in a few minutes. First I need to write some notes about what the radio picked up tonight.”

The son’s steps on the wooden stairs echoed off the basement walls, and the old man turned to the console. He put the headphones on, reached for the dial, pulled forward the chrome microphone and whispered, “Sandship One, this is Waukegan Station. Confirm Martian sunrise.” Then he continued a little louder, “Captain Borges. Lieutenant Ellison. Time to commence the Mars walk!”

The old man’s mind resumed the movie. He imagined his message being converted into radio waves, sent up through the antenna into the still night sky, up into space where a planet shined red. On that world, rising above its rust colored horizon, the white sun silhouetted the standing rocket-ship. From it, a ladder slid down. Then an astronaut in a bulky spacesuit descended, and stepped back from the last rung onto the Martian powder. The figure turned from the ship and began to walk. It paused, knelt down, pulled off its glove, and plunged its hand into the soil. The astronaut brought up its cupped palm and let the red sand sift through its fingers.

“Dad!” The son called down from the living room. “It’s started. Ellison’s astronaut has stepped out of the lander.”

But the movie continued in the old man’s mind. The astronaut stood and removed his helmet, then his mouth shaped into a scream and his eyes grew wide, as he came face to face with a Martian.

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From the Seems-like-it’s-safe Side

Donuts

The gray of the morn
Made me want it even more
Wakin’ from unconscious
Of last night’s excesses

My ol’ lady too
Said, Baby…You
Gotta go get some
So I did

I done crossed the line
Into the neighborhood
So many’ve left
Behind

I drove low
Past the falling pants guys
Waitin’ in the rain
For the currency exchange

Drove low past the cruiser
Dirty white Interceptor
Black hubs and cow-catcher
Where there’s never been no cows

Drove low past the Church
The Church of Joy
Its parking-lot puddles
Of tears, not rain

Drove low past the barred windows
Of the convenience, meat, and grocery
Its billboard bold boasting
CIGARETTES, CITRON, LOTTO, and LINK

I Drove low
And then stopped
Hurried into the lab
Were they make it

Nodded to the girl
Showed my clump of bills
Her tattoo of Magdalene
Appearing to us both

I hurried back out
And drove low again
‘Round a burned-out mattress
Discarded onto the double yellow

Then made it back over
To the seems-like-it’s-safe side
Back in my living-room and kitchen
Tossed the bag to my wife

Warm honey-glazed donuts
To go with the scrambles and bacon
While the landscaper’s mower
Hummed loud in the backyard

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April Morning

OLYMPUS DIGITAL CAMERA

This morning in the dark
The rain fell steadily
Yet a male robin sang and sang
As if he knows that every morning
Will be as joyous as today’s
From now ‘til autumn

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Care of the Machine – Poem for April 10 – National Poetry Month

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The wives slept
While the men worked
Through the night

Each man at his desk
His face reflecting
The glow of a screen

The men worked
For the Corporation
–The sole employer

A living entity
Growing, consuming
And adapting

Operating, once with
Typewriters and forms
Folders and cabinets

‘Til the chief
Ordered the men
“Build a machine!”

One man created its mind
The paths into it
And the ways out

A second man wrote instructions
Shaped like poems
For the machine-mind to read

A third man built a translator
So the machine could talk
To other machines

Thus the Corporation’s organs
Became keyboards and screens
File and servers

And the men’s work
Became care
Of the machine

Which could only be done
At night
When they induced its sleep

And as the machine slept
The men worked
Through the night

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What Makes the Wind – Poem 9 for National Poetry Month

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I don’t know
What makes the wind

Or last night
What made it rush
With the sound of everything
Being moved

That sound was more
Than the creaking of every tree-trunk
And the rustling of every branch
More than all last-Autumn’s leaves
Pushed, scraping along the pavement
More than every particle of dirt
Blasting against the windows

That sound included
All things usually too quiet to hear
Like the straining of each blade of grass
And the ruffling of every bird’s feathers

It was the rush
Not of a freight train
But of fifty freight-engines
Off the tracks and side by side
Headlamps black and heading straight
Toward you and me

It was the wind taking over
Pushing everything
All the way down
And you and I could do nothing
But go under
And wait

Me here and you there
Wishing to be together
Praying the wind
Would not take the other

And when we came together
We prayed the wind
Would not take us both

It pounding at the backdoor
Trying to get in
Radio siren wailing
Synthetic voice reporting
A town blown through
To the west

The wind is gone now
And I hear the sound of everything…
Everything being quiet

I don’t know
What makes the wind
Or what makes it rush
But I think it’s the same thing
That last night made it stop

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Thunderstorm Dreaming

buffalo-bull-grazing-1845.jpg!Blog

On Wednesday,
One o’clock at-night
Is for sleeping

‘Til there’s a distant rumble
Then a white-sky FLASH!
Which silhouettes for an instant
Branches of Spring’ s bare trees

BOOM! OOM! oom!
Hurls from a faraway cannon
Between wheels of wood
Its black iron barrel, narrow at the front
Points upward

FLASH, then BOOM! again
And an invisible cannonball
Arcs high over the backyard
Reaching its highest point
Above my house

Where the projectile pierces a mammoth piñata
That’s not a piñata at all

But a giant, stuffed animal
A great, toy buffalo
Standing overhead in the black cloud
It’s woolly head facing west
Into the storm

From its underside
Between its black corner legs
Ice-pellet stuffing
Rains down at me
But is stopped by the thin roof

Pellets pop, pop, popping
Like kernels exploding
In a metal pot
‘Til there are no more

Just a trickle
Through the downspout
To the silence
Of the next dream

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Roll into the Night – Poem 7 of 30 for National Poetry Month

Sponge

They’re sayin’
Soon it’ll be seventy degrees

When it is
I’m gunna put on faded Levi’s
And a T-shirt

A white one like Fonzie’s
No, like Springsteen’s
Yeah

I’m gunna back out a car
An old one
With squared corners
Chrome bumpers
And round headlights

I’ll back it out
And then back it in
Park it right there on the driveway

I’ll walk over to the brick house
To the metal spindle with the garden hose
I’ll pull it and feel it unroll

I’ll fill a plastic bucket with water
And soap
And go at the car with a sponge
Irregular shaped and brown
Holes of different sizes
A real sponge
The kind that used to be alive

And once I’ve sudsed off all the dirt
And wrung it into the bucket
I’ll turn the hose on the car

Spray off the suds
And expose the shining, metallic, tiny flakes
Fixed underneath the glossy green

And last,
I’ll take the chamois to it
It was once alive like the sponge
Or on something alive

And when night comes
I’m gunna swing open the heavy, metal door
And slide in
Onto the leather bench seat

I’ll put in the key, and turn it
And give her some gas

Twist on the radio
And roll down the window
Then reach behind the steering wheel
And click down the shifter

I’ll ease off the brake
And roll onto the side street
Turn right, and

Drive

Out into the night

Like in some Springsteen song

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That Future – Day 6 of National Poetry Month

Project Plan

He tells them
We’ll deliver it
By then
For so much

And then he tells me
Go plan it

Yes, me
Because I see the future
That’s my job

Then he asks me
What future do I see?
Are they happy?
Is it on time?
Is there money left?

No, I tell him

So he tells me
Make it like he saw

Yes, me
Because I change the future
That’s my job too

Now he asks
How ‘bout this time
Are they happy?
Is it on time?
Is there money left?

No, I tell him

He tells me
I’m not trying hard enough
He says
Give ’em what they want
That future

So I tell him
It’s like this…

And when I finish
He asks
It’s pre…what?
Predetermined?

I tell him again
How it’ll be late
And over budget
All-ways

He doesn’t buy it
He says there must be a way
To deliver it
By then
For so much

He’s asking the guys to work weekends

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